Wanderlust

TEXT IN GERMAN With Rousseau's call to get "back to nature " and Goethe's Sturm und Drang poetry, wandering around 1800 became the expression of a modern awareness of life. As part of a reaction against the rapid social changes that began in the French Revolution, a new form of decelerated self- and world knowledge developed, whose presence can still be felt today. Since the Romantic period, artists have discovered nature for them-selves, exploring it on foot and looking at it from new angles. Wandering, in art, came to stand for life's journey, for symbolic pilgrimage. For the traveller, the self-determined journey on foot brought with it a new, intensified encounter with nature and a form of world-appropriation that was both sensual and physical. The works shown in the exhibition, including masterworks by Caspar David Friedrich, Carl Blechen, Karl Friedrich Schinkel, Johan Christian Dahl, Richard Wilson, Christen K bke, Gustave Courbet, Iwan Kramskoi, Ferdinand Hodler, Auguste Renoir, Emil Nolde, Ernst Ludwig Kirchner, Otto Dix and Ernst Barlach, show just how powerful and fruitful the motif of the wanderer was in art throughout the nineteenth century, not only in Germany but in many places, from France and Great Britain to Denmark, Norway and Russia. The exhibition is arranged in themed sections: The Discovery of Nature; Life's Journey; The Artist's Wanderings; The Promenaders; Italy - Land of Longing; Landscapes of Wandering North of the Alps. Significant loaned works from important museum collections in Europe and the USA will complement selected works from the collection of the Nationalgalerie, resulting in a large show of more than 120 exhibits.