Second in Command

Lieutenant Jazz Perry finds a young girl wandering the downtown streets alone late at night. As the child becomes attached to her, Jazz is reminded of her own experiences in foster care and takes a personal interest even when she knows she should maintain professional distance.

Social worker Emory Blake is good at her job helping children in challenging situations. She believes in the system and knows it works if you let it. When Jazz starts interfering in the case and bypassing the rules, Emory is torn between her responsibilities and an unwelcome attraction she can't deny.

When on the job responsibilities collide with desires of the heart, becoming personally involved is the only choice.