Mismatched Women

This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. It is now widely accepted that politics plays a significant role in shaping the possibilities for inclusive development. However, the specific ways in which this happens across different types and forms of development, and in differentcontexts, remains poorly understood. This collection provides a state of the art review regarding what is currently known about the politics of inclusive development. Leading academics offer systematic reviews of how politics shapes development across multiple dimensions, including through growth, naturalresource governance, poverty reduction, service delivery, social protection, justice systems, the empowerment of marginalised groups, and the role of both traditional and non-traditional donors. The volume not only provides a comprehensive update but also a ground-breaking range of new directions for thinking and acting around these issues. The book's originality thus derives not only from the wide scope of its case-study material, but also from the new conceptual approaches it offers forthinking about the politics of inclusive development, and the innovative and practical suggestions for donors, policy makers, and practitioners that flow from this.Jalaluddin Rumi (1207-1273) is the most famous exponent of the mystical tradition in Islam and venerated as 'Mevlana', 'our master'. The still flourishing Mevlevi order of dervishes, famous for their ecstatic music and dance, was organized by his eldest son on the basis of Rumi's teaching and practice. He spent most of his life in Konya in Rum (modern Anatolia), whence the name 'Rumi'. His longest work, the Mathnavi, has held its reputation in the easternlands of the Islamic world as the most recited and venerated text after the Qur'an. Echoes of the Muslim Scripture, and traces of Rumi's education as a traditional Muslim jurist or faqih, are apparent throughout his writings. The resurgence of interest in Rumi in the West has evolved into a cult, especially onAmerican college campuses. As Schimmel explains, this cult does not do justice to the profound spiritual passion and insights of the Mathnavi and Rumi's Divan. In this concise, readable essay, she sketches the major landmarks in Rumi's life and the influences on it, the religious and cultural background of his poetic Sufism, the dominant strands of imagery and the range of tone and anecdote that animate his spiritual world. She explains why Rumi, as poet and mystic, must beunderstood in the Persian literary and the Islamic religious traditions to which he belonged. It is through those traditions that he experienced and expressed the Divine Love that the peoples of all faith traditions immediately recognize and affirm. The closing chapters review recent scholarship and translations ofRumi's works, in West and East, and answer the question 'What does Rumi mean to us in the modern world?'In 2009, Susan Boyle's debut roused Simon Cowell from his grumbling slumber on the television show "Britain's Got Talent" and viewers across the world rallied to the side of the unemployed, older woman with the voice of a trained Broadway star. In Mismatched Women, author Jennifer Fleeger argues that the shock produced when Boyle began to sing belies cultural assumptions about how particular female bodies are supposed to sound. Boyle is not an anomaly, butinstead belongs to a lineage of women whose voices do not "match" their bodies by conventional expectations, from George Du Maurier's literary Trilby to Metropolitan Opera singer Marion Talley, from Snow White and Sleeping Beauty to Kate Smith and Deanna Durbin. Mismatched Women tells a new story about female representation in film by theorizing a figure regularly dismissed as an aberration. The mismatched woman is a stumbling block for both sound and feminist theory, argues Fleeger, because she has been synchronized yet seems to have been put together incorrectly, as if her body could not possibly house the voice that the camera insists belongs to her. Fleeger broadens the traditionally cinematic context of feminist psychoanalytic film theoryto account for literary, animated, televisual, and virtual influences. This approach bridges gaps between disciplinary frameworks, showing that studies of literature, film, media, opera, and popular music pose common questions about authenticity, vocal and visual realism, circulation, and reproduction. Thebook analyzes the importance of the mismatched female voice in historical debates over the emergence of new media and unravels the complexity of female representation in moments of technological change.